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yndi halda enjoy eternal bliss
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by Mike Diver

Post-rock’s problem as a convenient critical pigeonhole is that it’s associated with a scene, a sound, that’s easily replicated from studious indie boy to studious indie boy. Much of what falls within the category’s borders is formulaic in the extreme; a procession of finely timed and finely executed musical movements that adhere to generic convention in a wholly objective manner, as emotionally affecting as the latest reality television series. Nowadays, it’s rare to hear a band that could be blessed or cursed by the term that doesn’t sound like an amalgamation of their forefathers’ invention and influence.

The contemporary musical landscape is littered with only a handful of genuinely moving acts – from across the globe – that can engage the heart with their instrumental arrangements as easily as the accomplished hordes can tickle the chin with their heard-it-before releases. You know, the albums that play like a movie repeat on Film4 +1: you’ve seen it a dozen times already, and even this time out it’s running an hour behind everything else. From the US we’ve had Explosions In The Sky; from Japan, Mono; and now England proffers its listening public Yndi Halda, a quintet capable of stirring the soul in a fashion unfelt since Mogwai’s ‘Helicon’ days.

The above trio are touchstones for sure, but Yndi Halda’s violin-led approach isn’t at all derivative of a particular predecessor; at times echoes of acts past become apparent, but never do these tiny divergences from everything unique upset the rhythm of Enjoy Eternal Bliss, a four-track EP on paper but an hour-plus album in practice. The record’s length does, initially, prove a stumbling point – maintaining a high level of attention in the presence of most post-rock is a struggle, to say the least – but it takes only a couple of minutes for Yndi Halda’s epic beauty to overpower any niggling doubts born of previous experiences. Already a stunning live act, Enjoy Eternal Bliss confirms this five-piece’s position as Britain’s finest on-record purveyors of modern instrumental rock music. Promulgate from the tallest peaks: Yndi Halda, here, exhibit talent enough to eclipse the post-millennium efforts of any of their peers.

It’s their masterful manipulation of the listener’s emotions that sets Yndi Halda apart: many a technically tight passage can be forgotten come the record’s climax, as the memory remembers only the images these four tracks conjure. A burning red sun rising high over a sparkling sea; endless glaciers picking up pace on a mountainside, threatening to destroy the hamlets below; the curve of the Earth as seen from the lunar surface; crows in Finsbury Park battling over whatever one of the murder pulled from an overflowing waste bin. Flashes in the mind’s eye, both rooted in reality and entirely fantastical, that stick with the first-timer and old-hand alike, long after four of four, ‘Illuminate My Heart, My Darling’, fades from in-ears.

And this is a debut, the band’s first ‘proper’ release following a three-track demo. In short: Enjoy Eternal Bliss is a much-needed shot in the arm for the flagging post-rock scene and sound. Where they go from here, well… the mind hesitates in astonishment, its eye unable to fathom what’s emerging before it.

Enjoy Eternal Bliss can be purchased via mail order now, through Big Scary Monsters; link

  • Yndi Halda 9 / 10
Words: Mike Diver

interesting words

but I don't really see Yndi Halda as being the front runners in the post-rock scene.

Fair enough the album is very enjoyable but it doesn't touch any ground not already trodden by a massive bunch of post rockers. Subtle then soaring guitar parts drenched in floating violin. Nice - yup! but we've heard it all before.

I think bands like September Malovolence, Jakob, This Is Your Captain Speaking or Tracer AMC to name a few are making far more innovotive and impressive instumental music than these guys to be perfectly honest.

But I do still like the album.


my god

Shot in the arm? A shot of morphine further sedating an already dead genre, perhaps. Conservative, reactionary, backwards looking and cynically calculated.


in fact

the very well written first paragraph of this review is EXACTLY the problem with YH, to my ears.


Tracer AMC...

...I really like their Flux and Form LP, but have little else... do they have anything new out?


check out "Islands"

by Tracer AMC - it was out in late 2005 and is even better than Flux and Form.


It's worth repeating

How good they are live. I like the album really rather highly, but my first exposure was to the live show. Superb.


After deciding that post-rock is boring

Yndi Halda genuinely captivate me. I think they're superb and this review is pretty spot on :)


Generalisation?

I love Yndi a lot, but they're by no means changing the direction of this so called 'post rock'.


Yes.

But it is, largely, for me at least. I'd rather some nice fuzzy shoegaze :)


good review

i was so excited about this being released last month that i accidentally bought 2 copies :D

most excellent stuff


i was rather underwelmed when i saw them

all seemed very by the numbers.

they remind me of the "secret" track on the first hope of the states album a lot too.


its all very nice on the sound holes

but i think i would rather listen to some other constellation bands or something, everyone else just does it that much better


Why is it....

....that paragraphs like the first paragraph are only ever written introducing Post-Rock music? Rarely are releases from other genres introduced as such, yet I can't name many releases that are completely innovative or are little more than an amalgamation of their forefathers and influences within any genre. Just a thought.

On Yndi Halda though, very nice and pleasant enough, wasn't too impressed live but Twin Zero did play afterwards so Yndi didn't stand much chance.


post-rock is

maligned much more than other genres, it's true. Easy to reduce to a few dumb rules, I guess.

About 80% of post rock is shit and about 80% of music is shit.


Generic post-rock?

Well observed. When I read this review I felt a sense of deja vu, and I realise it's just a longer version of what was written about the God Is An Astronaut EP in August: http://www.drownedinsound.com/release/view/7891

I think it's pretty lazy to start a review like that, and certainly quite ironic. It's true that there is a lot of uninspired post-rock flying about, but compared to DiS' favourite genres of indie rock and cute twee guitar pop (don't spare the handclaps!) I hardly think it's worth criticising the whole genre in every review.

The Mogwai joke was very good however. As is this album.


illuminate my heart..

is staggeringly good.


They didn't blow me away

on the Big Scary Monsters tour. I wasn't really feeling the uniqueness.

But a British post-rock band that I remember enjoying recently was These Monsters. They're from Leeds, and they've got.......brass! Revolutionary!


I swear

DiS say every new post-rock band is somehow different and innovative from all the rest! You guys are total suckers for atmospheric build-ups and awesome climaxes! It hasn't quite dawned on this website's staff that most post-rock groups are just variations on what Slint were doing in the 1990s!


What? Don't talk utter shite.

Slint didn't do 'atmospheric build ups', or 'awesome climaxes'.


Have not heard but....

Slint being used as a measuring stick for perfection, as read numerous times by U.K. scene and critics is beautiful and amazing as they are vitually unheard of in their home town area where i reside. And the bags of mail that Britt has brought to my house from U.K. citizens is incredible. These guys were teenagers w/o preconceived notions just playing music and they created a genre. Have not visited yet, but the U.K. is my source for new music forever. Thanks DIS.
P.S. I don't get the Will Oldham infatuation though; and i know i'll get alot of flack for this comment,(but i welcome it,) because he's a measuring stick for you brill. U.K.sters as well. By the way, the new Snow Patrol(Who have impressed me prior) release, is a polished turd; no wonder they finally charted in the U.S.


I

Listened to some of this on myspace, it sounds pretty good


Good band...

..but does anyone else think the production is a bit weak?


Awesome live set ...

Played here in Dec last year.


production=weak

The production totally lets it down, I agree, especially on the loud bits, which should be the best bits, and I find myself turning up the stereo a few notches to compensate for what should've been done in the mastering; sounds too compressed and neat, you lose the impact, just get an impression. So, yeah, I was disappointed with the new "EP" cause James had said (I think) that they would re-record it all, and it's just had the mastering tweaked a little and the violin on the new track is so out of tune, so amateur, a shame really, it just doesn't add anything to the EP that new song. But the EP is top and tailed by two beautifully crafted songs though and the group must be really good otherwise they wouldn't have got so much attention so quickly. I don't think it's fair to go on about originality so much, when quality is what matters, although obviously plagiarism is bad. You know, music (like all art) is a continuum; no-one has ever invented something 100% new single-handedly, despite our worship of cultural idols etc. (apart from maybe Charles Darwin, genius) Also, I've only really heard these guys and Sigur Ros in this "genre" (I'm not really with the times) but does anyone know any bands who are good at coming down off a high point, if you know what I mean? Cause both seem great at building up beautiful ideas until a great climax then seemingly don't know how to resolve... Sorry for waffling. It'll definitely be interesting to see what they do next.


i

fucking love yndi halda.


AMEN TO THAT!

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