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the cribs 200
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by Tom King

“Hey scenesters… hey, hey scenesters…”

Oh the inevitably irony. The Cribs have become part of the machine they wished to break. And they’ve plenty of luddites clinging on...

The only chaps in a packed Astoria not sweating through their Topman outfits are Sub Poppians The Thermals. Yet the only ones who didn’t seem cool were Sub Poppians The Thermals. A surprise, perhaps? Not when you consider they offer a working model of thermodynamic theory in practice; the band labour through their set, we all stood as still as possible, and zero energy is transferred. For all the effort, they only radiate the kind of warmth you get from a corpse; pale and insipid to the point of nausea. That said, they aren’t actually that bad: their whimsical lo-fi indie, a genre reserved solely for the genetically overachieving and Stephen Malkmus, could appear quite exciting supplemented by enough Pro-Plus to keep Proust from slipping in and out of lost time, but otherwise it’s an exercise in voluntary narcolepsy. Song after song rattles by like an endless, nameless freight, each carriage identical to the previous. Of all their sins, sloth is the worst.

The Cribs have no such problem. Their songs are tight-focused bursts of energy; like the Ramones if Dee Dee had a problem with IPC Media instead of smack. Which means, finally, their obvious flaws are irrelevant: of course they play essentially the same song over and over, but what do you expect from a band whose only brave leap forward was over a glass strewn table at the NME Awards? And maybe the trebly guitar which defines the songs does get lost in the mix, the vocals do grate, and the newer songs seem chafed… But when effortlessly formulaic tracks like ‘You’re Gonna Lose Us’ and ‘Men’s Needs’ can crash around the room like a prolapsed Kaiser Chiefs, originality is as redundant as last season’s cardigan.

But picture the scene. “Yeah mate. I’m telling ya like. T’Cribs are our heroes. Righteous punks pushing for an all-encompassing cultural meritocracy. Fighting a good fight for substance over style. Deconstructing this post-Blairite media hegemony, daring to draw a line in the sand where others wouldn’t piss…” And Ryan Jarman’s only wearing a fucking stripy shirt. Is this some huge joke I was blissfully ignorant to? A school non-uniform day I turned up oblivious to? I thought they were on my side of the Berlin Wall, a rare band of principles and taste, when all along they’ve been courting leers like a old whore…

  • The Thermals 4 / 10
  • The Cribs 7 / 10
Words: Tom King

"whimsical lo-fi indie"

is a massively innaccurate description of The Thermals' music. Also, I'm guessing from what you've written that you meant to give The Thermals 4 and The Cribs 7.


hmm

How the heck are The Thermals "lo-fi" OR "indie"? I'm fairly certain you've seen the wrong band or made it up.


PS

Oh, and as benrith said..."WHIMSICAL?"


their first album was indeed

lo-fi to the max, given that it was mastered from a regularly-distorting cassette recorder.. plus they're hardly hi-fi are they ;)


It wasn't the lo-fi bit

that I was objecting to.


Whimsical...

I know what you mean. It's like that episode of 'Last of the Summer Wine' where Compo snorts some homemade speed off Nora Batty's tits and tells the rest of Holmfirth to go fuck themselves.


Thermals

I cannot understand why so many of you seem to love The Thermals. I saw them at ATP after reading rave reviews from some of you and they were the most underwhelming band i've seen in ages. If i was 13 i'd think they were awesome. Makes me wonder how many people would love them if they were on a major label and getting rammed down our throats like Fall Out Boy


the thermals

write some of the most amazing 2 minute bursts of indie-pop america has ever produced. they were fantastic on a tiny stage in nottingham trent's shitty union bar.


I don't mind bands I like being criticised at all

but that's just not a very good piece of writing at all.


Reads

a bit like NME


.

Exactly. Its impossible to trust or give any credibility to a review where there is no attempt to review whatsoever (whether it is positive or negative), but is instead just an impotent attempt to slag off.

I'm fine with bands I like being criticised as long as there is some sort of coherent argument being made. Otherwise your no better than The Independent.


Cribs are a great support act..

but bit shit when it comes to headlining.


Hmm

The Thermals are classic Chicago rock, with a lot in common with folk like The Smoking Popes etc...

Lo-Fi? Nope. They're a punk/rock band.
Whimsical? No. They're really quite noisy.
Indie? Shit, that's pretty lazy of you. Be more descriptive than that, especially as they aren't 'indie', whatever that is.

Like them or not, be more accurate.

I'm sticking up for them as I've met them and they're lovely. Also, the bassist is in All Girl Summer Fun Band, and they rock real bad. Yeah!


that thermals review

is fucking hilarious. This joker's never getting any creedence for anything he writes again from me at least. He must've reviewed them through a door, probably whilst having a shit.


Christ

That is a terrible review.
x


Though, naturally

rushed to hell.x