Can one song destroy an album? Usually, no: even some of your favourite albums of all time will have a dud track on them. But planted slap-bang in the middle of Get Cape. Wear Cape. Fly’s second album lies ‘I Could Build You A Tower’, a gut-wrenching, cringe-worthy song of preposterous preaching, where Duckworth jettisons subtlety in favour of fuzzy clips of newsreaders reporting on various high school shootings, while he moans about worldwide conflict. If only we’d all talk, he suggests, everything would be okay.
It’s like he’s lost his mind. Skip onwards a couple of tracks to the gorgeous ‘Moving Forward’ and you’ll gain sweet relief. But back there, for just over four minutes, he got on his soapbox and patronised the hell out of us. So which is the real Sam Duckworth?
For the most part, Searching For The Hows And The Whys is performed by the songwriter’s much more likeable persona, and at times it’s a really, really good album, full of strong choruses that get catchier on each spin. Opener ‘Let The Journey Begin’ is a fully formed single, while the gentler cuts of ‘Young And Lovestruck’ and ‘Postcards From Catalunia’ manage to tug at the heartstrings without sounding saccharine.
But you’ll need patience to come to these conclusions, because on first listen, it’s truly galling how little Get Cape have moved on and developed. When he first appeared, Sam’s acoustic guitar and box of tricks were enough to mark him out as a talented individual - the minimalism was what made him special. But isn’t it wrong that his palette is still so limited?
Searching For The Hows And The Whys maintains the tinny etherealism of Get Cape’s debut, rather than bursting with new life and vigour, and as a result it all sounds fluffy, vague and grey. He’s stuck with his ‘sound’, which is his prerogative. And it still works. But ultimately it’s tough to shake the feeling that you’ve heard all of this before.
It’s such a shame, because even that atrocious song in the middle can't override the fact that this is a well crafted and enjoyable album, easily good enough to please Get Cape’s fans and label bosses. But he’ll need to expand his range next time if he wants to keep people interested.
I'm not going to bother with this
The EP was wonderful, but having bought the god awful album and then seen Sam do a headline, hour and a half show for the first time, I realised it was only because of its brevity. His lyrics really, really fuck me off too.
Bitter cynicial rant over.
I'm not going to bother with this
because Get Cape, Wear Cape, Fly is shit.
I played 5-a-side
football against Mr Get Cape, Wear blah blahlast year.
I was in goal, he was chasing a through-ball, which i managed to get to first, and he put both feet into my wrist. I yelled, he smirked, i swore at him and found him to be a most unpleasant cock.
Hope his album bombs quite frankly
get cape. eat cape. fat
patronising twat.
get cake, eat cake
surely
anyone...
read his blog on the guardian? Worst thing ever.
Get milk, poor milk, drink...
...he's rubbish. Horrible sickly voice and his head is so far up his own backside that he cant hear how fucking awful his music is.
*pour milk
Get Dictionary, Read Dictionary, Learn...
I got bundled along to see him in Leeds the other week,
and he was preaching about DIY in between songs!
Haha!
Log On, Be Snide, Cunts.
i really want
to hear 'i could build you a tower' after reading this.
just to fuel my pointless hatred towards this man.
I inadvertently stalked Sam
for around 3 months last year. Just kept randomly bumping into him at gigs, festivals, bars for wankers etc.In the main, it was a wholly unremarkable episode... which I guess says it all..
A few things
hes from southend, my mates have said he was a cock...
he complimented me in rough trade for buying a bullet union record
largely his musics a bit boring
Nasty!
Sam is a good lad. Although he often puts his message across in a cack-handed way, and seems to attract hate from many, in my opinion he should be commended for supporting worthwhile causes that others don't bother to think about.
Personally I think this album is ambitious but doesn't quite have the songs to match the first one. Some of the orchestral arrangements are wicked, but the cringeworthy lyrics are a bit of a turn off.
Anyway, quit dissin'. Boom!
Oh, and...
...the fat jokes. Really necessary?
definately