I dont like this band, but im feeling slightly sorry for their legions of fans at the moment. What the fuck is going on with this track? Has Kele fired the rest of the group, cos they sure as shit cant be heard beneath all those bleeps and processed drum sounds. Ill advised change in direction yes?

it wouldnt be ill advised
if it was actually good.
Kele
just wants to be a Morrissey-type figure fronting Kid A-period Radiohead. The general consensus is that he's failing in achieving either.
I don't think it's ill-advised.
They should make the music that they're comfortable making, without any concern for their fanbase, in my opinion.
I agree
But Mercury still sucks. Its not a bad idea, its just horribly executed. If you're going move into an experimental direction, spend time thinking it through.
It seems like the band only just finished this song, is still writing the album and releasing the track this early just seems premature.
Why would they automatically be alienated?
It's not as jarring a move as Flux from AWITC was, and Flux sold very well.
I think Flux
was a lot more easy to get into and probably won them a lot of new fans as well as keeping their current fanbase on board.
The new song just won't do the same, I can't imagine anyone (fan or not) saying they absolutely adore the new single.
^^^
this. That said, I've listened to it once and once only
I absolutely adore the new single
as well as their previous albums.
flux was supposed to be a one off
and it was a lone single. If this the idea for the whole album then that's a massive deal.
Consider what AWITTC turned out to be
and the first single from the The Prayer. I don't think the fans have much to be worried about. Plus, I like the fact that their singles are quite the unpredictable.
I was thinking this
they seem to do one kinda off the wall single followed by th usual stuff. The Prayer is a wicked tune and I really liked it right away this new one is just annoying, mostly due to teh vocals the instrumental is alright I guess.
I like 'em much more for having done it.
I mean it's fairly unlikely I'll ever buy another Bloc Party album 'cos I thought the first one was largely mediocre (bar two or three good songs) and couldn't be arsed with AWITC 'cos I had no reason to believe I'd enjoy it more than the first BUT I am impressed they've shown a willingness to experiment and take a risk that they might alienate their fanbase and I hope it pays off for them...
Kele Okereke is clearly similar to DiS types in
that when he makes music, he prefers to just try his hardest to NOT BE BORING, and NOT BE 'JUST FOUR GUYS WITH GUITARS' but something REALLY DIFFERENT.
Fair enough, but if you fail so fucking badly like they have done with this song, don't expect any respect from anyone you silly prick.
LOL
good work.
why are people assuming
that this 'new' direction is down to kele?
well, obvously because his
MERCURY IS RETROGRADE
MER MER MER MER CURY RY RY RY RY
MER MER MER MER MER MER
CU
RY
IS
RET RET RET RET
Damn, someone broke Kele. Turn him off and back on again...
(i like the song btw.)
Freddie Mercury is retro...
but is mercury retrograde?
heh
it just strikes me as similar to radiohead a few years ago - loads of ill-informed "johnny greenwood needs to retake control from thom yorke!" type comments.
i guess it's because obviously a GUITARIST wouldn't be interested in electronics...
perhaps
it's because Kele does 90 per cent of the press and gets 90 per cent of the attention, so people presume he's 90 per cent of the band.
Christ, at least they're doing something different, and not just rewriting Helicopter over and over again. It'll be interesting to see how they interpret it live too.
It really is very very very shit though
huh
doesn't jonny DO all the electronics? russell's too busy copying jonny's hair to work out how to play anything.
and so it comes full circle....
this track is bad. it sounds bush pretending to be audio bully's. and they were both BAD.
A lot of press that Gordon
did when flux came out seemed to very much say any creative direction was down to Kele.
The problem with this song
is the vocals. The drums are mostly kickass, the horns are decent, but Kele's mutilated "MU-MU-MURCUREEEUH'Z IN RETWOGRAYADE" is THE most annoying moment in music since the crazy frog.
This ^^^^^^
The vocals may not be that annoying, but i largely agree with Skepsis. Kele just doesn't have the same paranoid and fragile voice, that Thom Yorke does, that's needed to pull this sort of thing off.
there was an interview with NME
where the rest of the band basically said they hoped they would get back to their roots and that whilst they werent that happy with flux, they could live with it.
seems pretty obvious that kele continues to fukc them over
Anyone know
who produced this? Are they working with mark ronson or something, what with all the horns and stuff?!
It's an alright song, just only the drums and vocals sound remotely "classic" bloc party.
paul epworth and jacknife lee are
co-producing their new album. i think.
sheesh
both producers produce patchiness...
Am I the only person who doesn't hate this song?
Ok so It's not great, but I've heard worse.
not from bloc party though
admit it, it's the worst song they've ever released.
lol
Not even close.
I'd say it's better than 'Two More Years'
I don't like that song at all
Nah
When the drums kick in unexpectedly at the start!
everything is better than 2 more years
I love 2 more years!
i was just disapointed
maybe because they made a big deal out of it with the countdown gettin alot of people excited about possible new song and its tbh very very disapointing
...
http://www.youtube.com/watch?v=siiQB46JwLA
^
astute.
^
uncanny
Is now the time to admit that I like AWITC?
Me too
I like everything what they have done. Strike me down!
It's simultaniously hilariously awful
and utterly ace. If you were to ask me 'if I like it' at this very second, my only possible response would be to drop my trousers and pants and do a meatspin.
Whee!
Massive lollishment at anyone upset over it though.
I think
AWITC starts brilliantly, but towards the end of the album it dwindles.
But yeah, I think Kele just wants to make a record people can dance, unfortunately he's not very good at it :/
i really
dislike this song, it's just....nothing. the beats and electronics sound dated already and its just badly put together. As far as input into the music goes, my mate worked on a recording they did and says that the bass player is the only one who actually had an opinion about anything, the rest just went along with the producer.
anyway.
It's just junk.
There's no point in making new music
if it doesn't alienate at least *some* of your fanbase.
zing
if i was in bloc party all i'd want to do at this point is alienate the fan base. what fun! this song is great.
this is exactly what I thought
when I heard flux
Seriously losing the plot...
I was so excited when I discovered Bloc Party way back when She's Hearing Voices, Helicopter & Positive Tension dominated my playlists. Was seriously disappointed by A Weekend In The City, just can't buy into it. Flux is alright, but Mercury....what's going on, it sounds like a shoddy film soundtrack.
One thing to point out though is I don't think it'll be drum machines, it will be Matt doing the drum parts, he's possibly the best thing about the band.
No real change of direction tbh
Surely they're doing the same thing they did with AWITC, releasing a 'crunk' song to get our attention and then giving us a slightly above-average album.
Could someone explain to me what Kele means by "my mercury's in retrograde', please? Just sounds like a cryptic crossword clue to me. Saying that, I do like this song, not as much as The Prayer or Flux though.
I agree that Matt's an awesome drummer.
AWITC
is a one million times better album than the first one. Flux was better than that.
Mercury (which I have only heard once) sounds like a bad remix of a shit indie song with no chorus. Piss.
just bring the vocal down
in the mix kele. let the music do the talking. Listened to it 3 times on the night and once just now. I actually think its really good apart from the carnival bit near the end when it slows down.
Mercury would go down an absolute storm on the dance floor.
Liking it more and more...
You're right
Mercury will be the floor-filler that Flux should've been.
I heard Flux so many times on the radio without knowing who it was (it was a quiet radio) and just assumed it was some house-style choon and ashamedly loved it. I was soooo relieved when I finally found out who'd written the song. Bliss.
I just watched the video for this
It's...It looks like it would be better suited to a darkly whimsical Unicorns/Islands song. It's odd. But I like the video. I don't like the song that much.
I like the horns though. Really love the horns. Sound like they're from an old horror film or film noir or something, although they aren't really that high in the mix.
Every band
should always seek to alienate all fans all the time. That's the only way to rid themselves of the braindead who like a "style" of music.
if you replace the horms and synth with guitar
its actually really good
try it and see.
It sounds like something
Jez and Superhans would come up with.
Exactly
It's almost embarrasing like a 15 year old band playing Smells Like Teen Spirit at a school fete.
erm I did a review of it:
www.thefourohfive.com/
thanks :)
LOL
I am a 'die hard'
bloc party fan (from the beginnin' mate, yeh) and all this song has done is whet my appetite for more Bloc. Silent Alarm is one of my favourite alarms ever, but i think that if they went back there, it would be a step backwards... maybe they got a bit over-excited with this song, releasing it so 'dramatically', but i play it loud every day and look forward to album 3. BLOC 4 EVA x
cretin
clearly, bloc party fans are as absurdly illiterate as the band are
^^ The sign off on this post
just gives us other Bloc Party fans a bad name.
Well, if it was 1979 it might almost seem exciting...
Yes
Gang of Four would be in their prime and could probably steal their riffs back.
FAAAIIIILLLL.
fail
shouod have had a ^^^^^^^^
with that
what i dont get
is the seemingly naive assumption that the instruments band members play due to the necessities of a 'live' format have anything to do with what they may do in the studio.
just because a recording has no guitar sounds on it, doesnt mean that someone who has played guitar on stage has been sacked.
i absolutely love bloc party
but this song is shit. i'm all for bands experimenting and trying new concepts and styles of music, but if you going to do such experimentation, it has to be somewhat decent. mercury is not decent by any means. it's funny, because after first not really liking it, i quite enjoyed a weekend in the city and thought that flux was pretty good. but mercury just sounds rather poor. hopefully this is just a one-off and not an indication of what their next album may sound like.
Mercury is definitely awful
Which is disappointing to me, because I didn't think Flux was that bad.
Jesus
there's no pleasing some people.
Ok, so the song isn't *amazing*, but don't criticise them for taking a new direction and trying different things out.
Yeah, ok, some people will feel alienated by this track. But that's their problem, not Bloc Party's. They could be producing Banquet covers from here until eternity. But instead they're going for something different. And I've admired BP for that, even if it doesn't always work, it's good that they try.
IMO, Mercury is a lot more interesting than most of their stuff. And the video is fucking weird.
Lol
this band really do suck.
I'm growing to like this song
but has anyone else noticed how much the chorus sounds like Burial's Etched Headplate?
^^^
I'm starting to like it more too. I'm really enjoying the synth brass.
Don't see what all the fuss
on here is about.
It doesn't sound like Silent Alarm. So what?
It's easily the best thing they've done since then.
That synth bass line near the start is towering.
eh?
how is it anything like etched headplate?
I have no idea
but then I haven't payed much attention to the song since my first few listens.
I had to leave the website after reading that and go hang out on dubstep forums a little before I ould come back and reply to this.
Burial rules!
his mix of Bloc Party is a wicked one too.
its mostly the composition
the instrumentation is too lean in places
and overblown in others
Guitars would be PERFECT with this song
a riff coming in at 2:30 would've been awesome (i'm not guitar nut btw)
Synth could've been just as effective
I think i know what kele was going for, but he didnt go far enough and get there
its not as bad as when i first listened though
burial does indeed rule and his remix of where is home is 10000000 tims better than the original
i don't see it though. if anything merury sounds like mj cole or BAD garage. i really everyone would drop the TVOTR comparison. I'm sure they'd be disgusted by such horrible comparisons.
it's all too brash (like Flux). and everything about the vocal is wrong, especially the lyrics.
new direction=
nonsense
the sound and vocals are 100% BP
this isn't a new direction, this is just a slight change in rhythm patterns, coupled with some silly horns = trying too hard to sound different
So...
Basically Kele saw the popularity of all this shitty indie electro disco pop whatever the fuck you want to call it, and decided to jump on the bandwagon.
What a douche.
forget radiohead
I'm sensing more of a M.I.A influence. Maybe a more ecclectic jungle direction for new album?
although i did listen to "everything's in..." to hear it done properly.
Nice to be surprised though, expecting a kid A though
the more i listen to it
the more i think it harks back to silent alarm's sound more than anything they've done since. it's like a really slickly produced 'positive tension'. I still think the song's a bit shit, but the more I hear it, the more I realise it's not that much of a departure, just incredibly messy.
Oh the horror
I keep thinking I'm on the verge of at least "appreciating" this but no... it's just awful. I think I would even listen to their most rubbish b-side to be honest. So, so disappointing.
Jack Knife Lee
Is the main problem with AWITC. JKL has a uncanny way of making bands go all U2 and shit. All that breed of 2004 Epworth produced bands (e.g Maximo Park, Rakes, BP) for some reason went a bit shitter (in the case of the rakes) and very very shit (in the case of maximo park and BP)..saying that it could just be they ran out of song ideas, and Maximo Park were just a bit shit anyway bar a few tracks...
Mercury does sound like its a remix, if they take away the stuttered vocals it would have been redeemed (well a bit).
As for the Kid A comparisons, granted they didnt always use guitars, bass etc. You still got the impression it was very much a band based project, especially with tracks such as Ideoteque. That had the electronic elements but still used guitar in an interesting way. Even live it probs wont stand up, i remember seeing them play The Prayer and that was a backing drum track with Matt Tong filling in various sections. Im not saying theres anything wrong with backing tracks, but this will be even harder to reproduce well live, without it simply being a P.A with Kele from Bloc Party!
I hated it when I first heard it
and last night I sat and listened to it a couple of times and I actually quite enjoyed it...
...but not as much as their other stuff.
I feel ashamed to say this
but I'm actually growing to like the song or find it listenable. The verses are actually quite good, and when the drum kicks in it starts to sound good.
The chorus is still embarrassingly bad though and the video is godawful. Also for Bloc Party it still is disappointing.
"Ma mercury's in retrograde" is one fucking horrible hook mind, and it is completely cringe worthy and embarrassing for the band still though.
I actually quite like
Mercury. :I